Nov 20, 1987 - I am born. I am born with zero expectations: no idea what color I am, what language I'm going to speak, what God I'm meant to worship. I am thrust from a world where the only thing in existence is myself, and the faded sounds of the world beyond, a soft indication of the life of the world to come. And dying to that womb brought me here. I do not remember it. But it thrust me from a primitive solipsism to a world of Other.
September 7, 1993 - I attend my first day of first grade. It is at a public school. I have never been to a public school before. Pre-school and kindergarten were in a private, Lutheran setting. I was surround
Our little fights
in the back of class
and the essays delivered
on paper airplanes
should be enough to note
that the notes we pass
were nothing more than
tantrums for the substitute
teacher to know that
we needed to be taught.
I wanted to learn how
shooting stars burn out
like the scented candles
you love and why
the northern lights
are invisible even on these
dark nights where I
lay awake, dreaming.
Would you explain to me
all the ways you are
inside, outside, upside
down to earth and into
all the little things
like ambient light.
And I will tell you why
the shipyards and their
miles of halogen globes
remind me of
There are volumes upon volumes of history texts dedicated to explaining the effect of the Great Depression on public sentiment within the United States. Like all things practical in these modern times, they serve a very specific purpose to explain a very specific phenomenon in a very specific, reductionist and mechanistic manner. If it is the job of historians to interpret facts and generate a narrative, it is the job of the popular artist to express the sentiment of a generation. Charlie Chaplin's Modern Times may well be one of those cultural classics, embodying on screen the morose of disillusioned Americans during the Great Depression. It
Bless the Burned Bridges by KarmaGhost, literature
Literature
Bless the Burned Bridges
And you say screw
the root and curse
the branches,
but I wonder if you might
take the tree,
chop it into logs
for a fire to keep
you warm at night.
But do the bridges you burn
light up the sky
like the stars
we used to wish upon;
or wrap you in warmth
like my arms?
So I wonder now if
you finally realize:
it is not enough to
want to be good,
for you never were
and never can be.
Nor can I be noble
and love you perfectly
(though God knows I tried);
we are human and children,
all fragile and foolish
and mistaken so often.
For this we have
as the only law we know,
and we do not live by it
well, else we might
not be so
Epithalamium for Unbetrothed by KarmaGhost, literature
Literature
Epithalamium for Unbetrothed
Come, you lights of night,
and welcome the dawn with me;
remain here, o morning star,
and bask in the glow.
You waning moon risen in dusk,
dance! Dance
in a small revolution,
your gentle orbit 'bout this earth;
pull these waters up to you,
these tidal swells and bulge
along my beachfront life;
whisk away the gritty sand,
grind the rocks to nothing,
and exfoliate my surface skin
'til it be smooth, fresh.
Come, you rising sun,
and banish the dark for me;
break, o waking morn,
and bring day on the horizon!
Heat the waters;
boil away my ocean view heart;
dry me to the bone.
Come, you shade of day,
and share the silence with
Sparks fly,
little moments of heat
that fade with the distance
of space,
a continuum with time;
they flutter and flicker
against my peripheral vision,
and I do wonder
if we are not like this.
Turn off these lights,
and we'll bathe the room
so dark
in candle light,
and play
funny shadow games
against the ceiling,
soft light and
soft touches
as we speak
soft whispers
'neath soft blankets.
And the glow
will dance
across your perception
like warm, incoporeal snowflakes,
and melt along your touch,
never to be felt
but for the lingering cold
(or heat) and the
wet excitement.
Let's light a candle,
and I'll not need hea
A broken ground,
split along fault lines--
our faults--
pushes into the sky,
and along those striations
I spy
into the hidden meaning
of ledger lines
and lead sheets:
sketch little notes
on the wall
to me,
and I will scrawl out
words to you,
divine all the meaning
of the divine
and though my feet
leave not the ground,
I walk about in the sky,
and from so high above
like crop circles
I will make out
the notes to sing,
to you in the shadows.
Hail, O, Gladdening Light!
For it is where
Heaven met Earth,
where the sky pierced
the ground and I caught
a glimpse of you,
a frozen moment in time:
and there they sing
thre
I left for the quiet,
a room where I was not hemmed in,
but the world was shut out.
Instead I found a tomb,
a testament to masons and carpenters,
who raised the two-by-four walls
and hung the limestone drywall
which vibrated in perfect resonance
with the voices of oh so many.
This building is hulking,
so Sovietly efficient in storing people,
stacking us one on top
of the other
like skeletons in Roman catacombs -
we are so long dead
that our modern morbid priests
have forgotten the prayers
and instead cast us
in this lot,
disease long gone but for the rats
who scurry through our eye sockets.
And the quiet is cavernous,
th
Through an opening in the canopy
the sunset caught your skin,
and in the warm light of the evening
I caught my breath to take you in:
the sure grace of your cheek
led to the soft point of your chin.
I was twenty, you were eighteen,
and we were too wide-eyed to know
that what passed between us, so mystified,
was how love begins to grow.
Now I wander through the dark night
and wait for break of day
for in the morning, in the sunlight,
you still take my breath away.
But in the evening, in the soft light,
in the glow of silver moon,
I sing softly, whisper plainly,
longingly hum myself this tune:
that in the morning, in the sunli